M/Sgt. Robert G. Levi 1915-1943
Serial No. 34119284
813th Bomb Sqdn.
482nd Bombardment Group
Eighth Air Force
In the little opening in the woods
your cot springs were crisp red wool
on the moss. While we raked leaves
for the cowstall Grandma told me how
you came up here on summer afternoons
to read and paint and sleep after
working the hootowl shift at the cottonmill.
You must have meant to return to leave
your couch on the innerspring moss
on the mountainside.
thick as stoves– was scattered through the house
and barn. I lost your flies and tackle
in the weeds above the garden, and stuck
your chevron patches to my flannel shirt.
In the messkit returned from England
I fried sand like snow, and found
the picture of your fiancee in the cedarchest.
It was hinted I was “marked” somehow,
not only by your name, but in some way
unexplained was actually you. Aunts and cousins
claimed we favored and I spoke with your stammer.
Your paintings watched me
from the bedroom wall and mantel
and your poem clipped from the paper
yellowed among the rationbooks. I inherited
your Testament with its boards of carved cedar
and the box of arrowheads you picked
from the dust of bottomlands on Sunday afternoons
like seeds and teeth of giants.
No one opened the steel coffin sent back
to see what bone splinters or rags
had been found where the B-17 novaed
above East Anglia. I touched the ribbons
and medals in the bureau, the gold buttons.
Your canoe lay in the barnloft for years
between the cornpile and the wall, heavy
with dust as the boat in a pyramid
and tracked by mice and swallows. The paint
and canvas curled away from the cedar slats.
I meant to use it someday but never dared:
it was not creekworthy without new skin
and too heavy for one to carry. I turned
it over and looked into the belly
and sat on the webbed seat, rocking
on the corn-bearinged floor. Once hornets
built in the prow what I imagined
was a skull with honey brains. On snowy days
I sat there and paddled across the wilderness
of loft dark. The summer before you left
you portaged to the river and back,
then carried the canoe up there.
Something was always scary about the craft:
each time I turned it over fearing to see
a body inside. It lay among the shucks
and fodder as though washed up by a flood
and stranded forever.
The brass felt damp with corrosion,
the bell dented and dark as leather.
I took it out behind the house and,
facing west, blew into the cold mouthpiece
a hopeful syllable. The metal trembled
and blared like a sick steer, went quiet.
I poured all my body heat into the barrel
and a sour flatulence shook out and echoed
off the mountains. I made half-musical
squeaks and bursts till dizzy, aiming vowels
like watermelon seeds into the tube.
When the groans returned from Buzzard Rock
I thought they must be wails from the cove
for someone dead, and nothing I had sent,
or the ghost of a train lost in the valley
and relayed like an aural mirage from
the past still with us and talking back.
The flag that draped your casket was kept
folded in the trunk. They said
I had the high-arched “Levi foot”
like you, and your quick laugh. I was told
you made your own marbles as a boy
by rolling branch clay into balls and baking
in the oven. Mama liked to take out
of cloth a clay statue of a naked man
face down in the dirt which you once
modeled and called “The Dying Warrior.”
I marveled at the cunning work of leg
and tiny arms and spilling hair, and touched
your fingerprints still clear on the base.